Graphics Communications Industry Essay Example for Free

Graphics Communications Industry Essay Graphics Communications Industry, according to the College of Technology at the University of Houston, is defined as the processes and industries that create, develop, produce, and disseminate products utilizing or incorporating words or pictorial images to convey information, ideas, and feelings. Its products make possible learning, enjoyment, enthusiasm, and business. These products like books, magazine, maps, invitation, etc. are part of people’s daily life. Graphic Communications includes those market sectors that exploit the technologies of printing, publishing, packaging, electronic imaging, and other associated industries. They are often referred to as the graphic arts, print, or imaging industries. Graphic communication companies are entrepreneurial and innovative. Ideas are created on the computer and carried through different stages that can include the Internet as well as printed forms of several types and variations. Due to the emerging technological advances, companies in the business have expanded services such as creative design, e-commerce, web page design and hosting, mailing, fulfillment, and a multitude of services that provide parallel marketing beyond the major printing activity. (Education Summit for the Graphic Arts 1) The field of Graphic Communications is obviously a technology-based system. It includes the developing technologies of computer-age press, image generation, data repurposing, designing and posting internet web pages, interactive multimedia, digital photography, electronic digital imaging, and desktop publishing. Furthermore, it offers a lot of career opportunities. Thus, it contributes a lot to the economy. It needs millions of people in a range of challenging technical, creative, or professional activities. They vary from small companies with a few workers to large plants with several hundred people on multiple shifts. Almost all companies have acquired modern computerized equipment and stay updated with technology changes taking place in the industry. The top ten leading states in total number of graphic communication employees are California, Illinois, New York, Pennsylvania, Texas, Ohio, Wisconsin, Minnesota, New Jersey, and Michigan. (Education Summit for the Graphic Arts 1) REFERENCES: â€Å"Graphic Communications Industry. † (2006). College of Technology, University of Houston. 7 April 2009 †¹http://graphics. tech. uh. edu/industry/industry. php†º â€Å"The GraphicCommunication Industry: A Quick Overview. † (April, 2008). Education Summit for the Graphic Arts. 7 April 2009 †¹http://teched. vt. edu/gcc/HTML/CareerInfo/PDFs/GraphicCommunicationOverview. pdf†º

The Joy Luck Club :: essays research papers

-The Sisters of Misunderstanding-   Ã‚  Ã‚  Ã‚  Ã‚  Parents always want what is best for their children, regardless of culture or ethnicity. In The Joy Luck Club, by Amy Tan, and in â€Å"Life With Father† by Itabari Njeri, the parents express their parental methods upon their daughters. Children will all react differently to their parent’s methods, as do Waverly, June, and Itabari, but they still share a common resentment for their parents. It is shown in the two stories how parental methods expressed to children can be misinterpreted, thus influencing the child’s behavior.   Ã‚  Ã‚  Ã‚  Ã‚  June’s mother wants her to become a successful piano player. The problem with this is that June possesses no talent or determination to do so, so she doesn’t practice. Her mother cleans an old deaf piano teacher’s apartment in exchange for June to be taught piano, but the teacher can’t correct June when she makes a mistake, because he cant hear. June’s mother encouraged her to practice and would always brag about how good she was to everyone. June’s mother enjoyed having pride in her daughter, as she thought her daughter was a representation of how successful she was herself. June did not appreciate this at all. After making a fool of herself at the talent show she vowed to never play piano again. Her mother’s wishes for her success were mistaken for her mother’s selfishness. June thought her mother was only pushing her to find something in her daughter that was not in herself.   Ã‚  Ã‚  Ã‚  Ã‚  Waverly was the same as June, in that her mother also wanted her to become great at something. Waverly’s mother saw her being a child prodigy of chess. Once she saw that Waverly was good at it, she encouraged her to play. Waverly enjoyed chess and took it upon herself to get good at chess. June could possibly have been successful with the piano, but she would not embrace her mother’s hopes to that degree. It seemed that Waverly had an ability inherited from her mother to conceal feelings and strategies, much like what is needed to win a chess match. Waverly got along better with her mother than June did, but June’s mother pushed her in a direction she didn’t want to go in, rather than taking credit for success. Both actions were misconceived however.   Ã‚  Ã‚  Ã‚  Ã‚  Waverly has the ability to humiliate June, as she did at the New Year’s dinner. Those with self-confidence such as Waverly easily insult June.

Literature Introduction Essay

What Is Literature and Why Do We Study It? †¢ Literature is – Composition that tells a story, dramatizes a situation, expresses emotions, analyzes and advocates ideas – Helps us grow personally and intellectually – Provides an objective base for knowledge and understanding – Shapes our goals and values by clarifying our own identities, both positively and negatively – Literature makes us human. Genres †¢ Four genres of literature: – Prose fiction †¢ Myths, parables, romances, novels, short stories – Poetry †¢ Open form and closed form †¢ Relies on imagery, figurative language, sound – Drama. †¢ Made up of dialogue and set direction †¢ Designed to be performed – Nonfiction prose †¢ News reports, feature articles, essays, editorials, textbooks, historical and biographical works Guidelines for Reading Literature †¢ First reading – Determine what is happening, where, what, who is involved, major characters – Make a record of your reactions and responses – Describe characterizations, events, techniques and ideas †¢ Second reading – Trace developing patterns – Write expanded notes about characters, situations, actions – Write paragraph describing your reactions and thoughts – Write down questions that arise as you read (in the margins) Writing a Precis †¢ Precis = a concise summary = paraphrase – Retell the highlights so reader will know main sections – Only essential details – they must be correct and accurate – Must be an original essay, written in your own words – Be sure to introduce the title and author – Avoid judgments – Use present tense when retelling a story Elements of Fiction †¢ Essence of fiction = narration (the telling) †¢ Elements of fiction = verisimilitude and donnee – Verisimilitude = realism †¢ Must be compelling enough that the reader can â€Å"suspend disbelief† – Donnee = premise †¢ Something given by which you can judge the realism = ground rules. †¢ Sources of elements – Character, plot, structure, theme, symbolism, style, point of view, tone, irony Plot and Structure †¢ Plot = reflection of motivation and causation – No plot = The king died and then the queen died. – Plot = The king died, and then the queen died of grief. †¢ Conflict = controlling impulse in a connected pattern of causes and effects – Opposition of two or more people (e. g. , hatred, envy, anger, argument, avoidance, gossip, lies, fighting, etc. ) †¢ Dilemma = Conflict within or for one person – Conflict is a major element of plot because it arouses curiosity, causes. doubt, creates tension, produces interest – No tension = no interest Structure of Fiction †¢ Structure defines the layout of the work Crisis Complication Climax Exposition Resolution (denouement) Another structural element used sometimes = Flashback Characters in Fiction †¢ Character = verbal representation of a human being – Rounded = lifelike, full, dynamic, reader can predict future behavior because of an understanding of the personality – Protagonist = the hero or heroine, main person in the story, person on the quest, etc. – Antagonist = the person causing the conflict, in opposition to the protagonist, the obstacle, etc. – Flat = no growth, static – Stock = representative of a group or class (stereotypical) – Characters disclosed through †¢ †¢ †¢ †¢ †¢ Actions Descriptions, both personal and environmental Dramatic statements and thoughts Statements by other characters Statements by the author speaking as storyteller, or observer – Characters need to have verisimilitude, be probable or plausible Point of View †¢ Refers to speaker, narrator, persona or voice created by the author to tell the story †¢ Point of view depends on two factors: – Physical situation of the narrator as an observer – Speaker’s intellectual and emotional position †¢ †¢ †¢ †¢ First person = I, we Second person = You (uncommon) Third person = He, she, they (most common) Point of view may be: – Dramatic/objective = strictly reporting – Omniscient = all-knowing – Limited omniscient = some insight Setting †¢ Setting = a work’s natural, manufactured, political, cultural and temporal environment, including everything that characters know and own (place, time, objects) †¢ Major purpose = to establish realism or verisimilitude, and to organize a story †¢ Setting helps create atmosphere or mood †¢ Setting may reinforce characters and theme, in order to establish expectations that are the opposite of what occurs = irony. Tone and Style †¢ Tone = methods by which writers and speakers reveal attitudes or feelings †¢ Style = ways in which writers assemble words to tell the story, to develop an argument, dramatize the play, compose the poem – Choice of words in the service of content †¢ Essential aspect of style is diction – Formal = standard or elegant words – Neutral = everyday standard vocabulary – Informal = colloquial, substandard language, slang Tone and Style (cont’d) †¢ Language may be: – – – – Specific = images General = broad classes Concrete = qualities of immediate perception Abstract = broader, less palpable qualities †¢ Denotation = word meanings †¢ Connotation = word suggestions †¢ Verbal irony = contradictory statements – One thing said, opposite is meant – Irony = satire, parody, sarcasm, double entendre †¢ Understatement = does not fully describe the importance of a situation – deliberately †¢ Hyperbole (overstatement) = words far in excess of the situation Symbolism and Allegory †¢ Symbolism and allegory are modes that expand meaning †¢ Symbol creates a direct, meaningful equation between: – A specific object, scene, character, or action – Ideas, values, persons or ways of life †¢ Symbols may be: – Cultural (universal) = known by most literate people (e. g. , white dove, color black) – Contextual (authorial) = private, created by the author Symbolism and Allegory (cont’d) †¢ Allegory is a symbol = complete and self-sufficient narrative (e. g. , â€Å"Young Goodman Brown†) †¢ Fable = stories about animals that possess human traits (e. g. , Aesop’s Fables) †¢ Parable = allegory with moral or religious bent (e.g. , Biblical stories) †¢ Myth = story that embodies and codifies religious, philosophical and cultural values of the civilization in which it is composed (e. g. , George Washington chopping down the cherry tree) †¢ Allusion = the use of other culturally well=known works from the Bible, Greek and Roman mythology, famous art, etc. Idea or Theme †¢ Idea = results of general and abstract thinking †¢ Literature embodies values along with ideas – In literature, ideas relate to meaning, interpretation, explanation and significance – Ideas are vital to an understanding and appreciation of literature. †¢ Ideas are not as obvious as character or setting. It is important to consider the meaning of what you’ve read and then develop an explanatory and comprehensive assertion. †¢ Theme can be found in any of these: – – – – – Direct statements by the authorial voice Direct statements by a first-person speaker Dramatic statements by characters Figurative language, characters who stand for ideas The work itself.

The Rights And Protection Of Our Future Generations

Introduction It is difficult to imagine a world where children have no voice in society, and a government that lacks laws endorsing the rights and protection of our future generations. And yet, there are still millions of children around the world who suffer from human rights abuses and other forms of protection. For example, â€Å"Children in Nepal, Uganda, and the Congo are used as soldiers on the front lines of armed conflicts. Police in Bulgaria and Guatemala beat and torture homeless street children; disabled children in Romanian orphanages are confined to cribs for life, eating and defecating in their crib. Millions of children around the world, including in developed countries such as England and the United States, are subject to poverty, violence, rape, and cruelty â€Å"(Human Rights, 2008). Although it may seem like these issues are primarily outside of the U.S. what about issues that children in our culture struggle with even today? For example, what is easy to miss by someone who has never traveled outside of the U.S., why is it that children around the world die of hunger and thirst, are abandoned, and forced to fend for themselves? Why should governments feel obligated to care and protect children when they don’t have any political rights and are not bringing immediate benefits to the current government or to its economy? An important issue revolves around prioritization of rights when resources are limited or when rights conflict (Khadka, 2013). The history ofShow MoreRelatedThe Rights And Protection Of Our Future Generations1819 Words   |  8 PagesIt is difficult to imagine a world where children have no voice in society and a government that lacks laws endorsing the rights and protection of our future generations. And yet, there are still millions of children around the world who suffer from human rights abuses and other forms of protection. 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